Call for Submissions: ISSUE 7, “The Chicana/o Collection”

MAY 2019,

The Almagre Review, a Colorado literary journal, is now open for submissions for the Chicana and Chicano Issue, to be published in Fall 2019. Deadline for submissions will be September 16, 2019.

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We are primarily looking for fiction and essay/memoirs. We are also interested in black & white artwork. The focus of this issue of The Almagre Review is the identity of Chicanos, who can be characterized as Mexican Americans with a conscience-consciousness.

We are looking for stories of the Chicano/a Movement and how the 1960s and 1970s shaped our lives, how the influence of that era is still with us, and most importantly, how we can pass that history onto the younger generation.

Send us intelligent perspectives on the current political and social status of Chicanas/os, and the prognosis for the future. We understand the struggles of our immigrant brothers and sisters, but we want to focus on the realities of those of us who have deep roots in this country, in many cases going back hundreds of years.

On the fiction side, we would like to see short stories about the every day lives of Chicanas/os. Again, to be clear, we appreciate that there are many kinds of Latinos in the U.S., but we want to devote our attention to the lives of  the largest population group of Latinos–the Chicanos. Stories can often reveal hidden truths in ways that essays and memoirs cannot. We ask that submissions be no longer than 5000 words. Please contact Joe Barrera and John Lewis at thealmagrereview.org

Joe Barrera, Publisher
La Revista Almagre

Issue 6: Submission Deadline

This is a quick update to anyone who might like to contribute to our sixth edition, the “Veterans Issue,” which is scheduled for winter.  We’d like to have all material in by October 25th. In past issues, we have reached out to writers locally and all over the world, but in this particular edition, we hope to really focus in on our Colorado community and those along the front range.

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We are looking for stories — fiction, essays, memoirs, poems — from those who have served. While it might sound like we are interested only in the military experience, we recognize that veterans are not only soldiers, but members of our community in every capacity. If one has served, she or he may send us a piece about their military experience…or anything else under the sun. And, if you are not a veteran, we still invite you to share, so long as the piece is relevant to the veteran experience. Many civilians are involved with veterans, are married to them, or are raised by them. Please continue to send us the high quality work we have been so generously provided now for two years.

We hope this clears the way a bit, and look forward to carefully considering each piece. If not, feel free to tug our sleeve with a question or two.

With Gratitude,
The Almagre Staff

Joe Barrera: Comanches in Downtown Colorado Springs

During Hispanic Heritage Month we honor the true history of this region. This year marks the 239th anniversary of an event that occurred in what is now downtown Colorado Springs. In 1779, don Juan Bautista de Anza, the Spanish colonial governor of New Mexico, came down Ute Pass with 800 soldiers, militia, and Ute and Apache Indian allies. They were in search of the feared Comanche chief, Cuerno Verde, so called because he wore a buffalo headdress with the horns colored green. Cuerno Verde had been terrorizing the isolated colony of New Mexico on the northern frontier of New Spain. So deadly were his raids and so ineffective the response from the decaying Spanish empire that New Mexico was in mortal danger. But then Anza was appointed governor. His task was to destroy the Comanche menace and restore peace to the colony.

Anza was not a Spaniard, but a Creole, born in Sonora. Creoles ranked second in the social hierarchy of New Spain. Above them were peninsular Spaniards, who were the general officers. Below the Creoles were the mestizos, those who were a mixture of Indian and European. Further down were full-blooded Indians and Africans. In this racial caste system, Anza was considered “white” but he could not ascend into the higher ranks of the Army in spite of his proven ability as a soldier. “Los gachupines,” the Spaniards, kept him forever a lieutenant colonel. But they needed him. In 1776 he led an expedition from Sonora across the Mojave Desert and up the California coast and founded San Francisco. This was the first time that Spaniards and Mexicans had crossed the waterless desert into California. Anza did it in record time, with a large party that included women and children, and without loss of life.

To understand Anza we need to know some history. The Spanish frontier was unlike the Anglo American frontier. It was a static frontier that did not advance, like the Anglo frontier. Native Americans lost their lands on the Anglo frontier. On the Hispanic frontier Indians and Mexicans lived side by side. On August 15, 1779, Anza left Santa Fe with an army made up of Spaniards, Creoles, mestizos, Indians, and Africans, people now known as Mexicans, and marched northward into what is now Colorado. He wanted to go up the San Luis Valley, through South Park, down Ute Pass, and catch the Comanches in their usual hunting grounds, the plains east of the Front Range. The New Mexican “vecinos,” the settlers, were familiar with this vast area. They had been hunting and grazing sheep here for generations. “Los vecinos” guided the expedition down Ute Pass, and on August 31, 1779, Anza and his troops attacked a Comanche camp at the confluence of Fountain and Monument Creeks. They had surprised the Comanches, just as Anza intended. They chased the Indians for miles, down through what is now Pueblo, all the way to the foothills of Greenhorn Peak. It was near this mountain, named after the Comanche Chief, that on September 3, 1779, Anza met and defeated Cuerno Verde. It was a huge victory. Anza had saved New Mexico and perpetuated the eternal presence of Indo-Hispano people in this region.

Joe Barrera, Ph.D., is the former director of the Ethnic Studies Program at UCCS, and a combat veteran of the Vietnam War.

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La Llorona in Denver: @ the Rudolfo “Corky” Gonzales Library

Thank you to everyone who came to Karen’s reading in Denver. We had a wonderful time–met wonderful new writers, artists, and literature enthusiasts. We hope to hear back from our new friends and look forward to our next visit. Thank you Denver Public Library Staff, you made this a breezeless, beautiful event.

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Why We Read: 2

Being a project dedicated to growing Colorado literature, we ask ourselves this question at the Almagre quite a bit. Why build a journal, paper no less, and expect others to read it?

For us, the easy answer is this: pick up a copy of Issue 3, open it, fan the pages, breathe in the spine’s scent. Take it, sit with it, create a silent space. Then…explore the poems within, the stories, the essays, the art. We know that the Authors and Artists in Issue 3 will give any reader their money back many times over…restored in full with ideas, new perspectives, as-yet-learned words, and renewed optimism in the power of imagination.

But that is self-serving. And it’s really about more than our journal. It’s about participation in all that’s going on. Literature promises truth; and that is even when it distorts history, or kneads it, bends it, warps it, or is about hypocrites and thieves and liars; or deals with gouging, skullduggery, banditry, or lowlifes. Literature promises truth, because it triangulates around it, shines a flashlight one way, then another, producing a changing shadow that can provide deeper understanding. The point is, literature begs us to know that any given subject requires curiosity and examination from multiple angles. This curiosity should never end.

We’ve entered an age of alternative facts…and that is a worrying thing. In certain venues, we prefer it one way—facts as facts—a thing which doesn’t build on alternatives but on additions. With literature (fiction and nonfiction), we are faced with an honest proposition: “Here is my side of the story,” or, “Here is a side of the story.” By taking the time to do this, we acknowledge that a gain in understanding is a journey. A matter of course. For those who believe they have reached a destination, we feel pity.

To read is to fend ignorance, acquire knowledge and wisdom, to join the polity as those who would prevent a world of alternative facts. For many of us, it is the way forward.

With Profound Gratitude to all our Readers,

Editor & Artist, John Lewis

 

Issue 3, Environment; An Exciting Edition on its Way

Here at the Almagre, we are thrilled about our upcoming issue (Publication in JUNE). This will be a great opportunity for Colorado readers and writers to experience fantastic local talent alongside voices from all over (and we do mean all over!). There is, of course, the interview with famed Southwest writer, John Nichols, sharing insight about his environmental philosophy and the ways it manifests in his writing.

But this issue will feature much, much more. Readers will find contributors from all over the country whose work has appeared in other prestigious publications such as the Massachusetts Review, TriQuarterly, Asimov’s Science Fiction, The Sun, and others. We have words penned by some of Colorado Springs’ finest talent as well as beautiful poems from as far away as India and the Netherlands.

These are exciting times for Colorado Springs’ newest literary journal, and we’re asking those who are passionate about art and narrative to come join us. Spread the word to friends, to family, to fellow authors and artists. Absolutely everything we make from this passion-project pours back into the pages which carry the magic of the written word. Come help us tell the story of America.

          With Gratitude,
          The Staff of La Revista Almagre

 

Issue 2, December, Promises Special Contributors

When Joe and I started The Almagre Review/La Revista Almagre, we wanted to build a journal that promotes local and regional talent. Often, the most important voices are the ones yet to be discovered. Our goal is to be a stepping stone in helping these authors along their journey toward literary success.

It’s with pleasure we share that two very special contributors will appear in our next issue; Clay Jenkinson and Mike Callicrate. Mr. Jenkinson is the creator of The Thomas Jefferson Hour heard every week on NPR, and Mike Callicrate is the owner of Ranch Foods Direct. As pleased as we are that both of them join us in conversation, it’s the up-and-coming authors that form the spirit of our publication.

The Staff at The Almagre are dedicated to building issues where new talent can appear beside established voices. We do this as a way of saying, no matter where you are in your literary trajectory, our pages welcome people of all backgrounds. We might buy an issue because someone we love to read is in there, but one of the chief delights is discovering a new favorite author who enriches our future reading experience.

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Why Readers Matter

image1Our publication’s newest reader. And we’re thankful to the parent of this greatness-in-the-making for sharing such a candid moment!

Writers ask a lot of their readers. It’s more than just time. The solicitation is quite intimate, begging more of a total investment.

We can’t speak for everyone, but here at our humble publication, we know how slippery and temporary ideas are…all ideas, great ones especially. Once committed to paper, an idea finds a quasi-permanence.

So in the age where most stories are told through moving images and sound, the written word in all its static glory must rely on its most powerful quality. That quality is this intimacy…the theater of another’s mind. Here, a poem or novel moves in, like a circus, it sets up camp, unfolds its tents, un-carriages the animals, and builds a show between the ears of another human. Think of this invitation, this opportunity to inhabit each other. It’s a unique dialogue. When the reader shares his time with all those set pieces stored in the attic of his imagination, those wares built from the thread of experience, he gives the writer her reason to be. He also gives her the stage for her ideas. The necessary loop is complete and the current can flow.

We all remember that thing the last exquisite novel provided which a movie cannot produce. The scenes and scents and people moved through our head. We were not passengers, we were not emotional patients strapped to the operating table. We were part of the story. In some ways, it was even about us.

Thank you to our readers who have taken the time to be a part of our journey. We look forward to the big sky horizon of the West and all the future stories waiting to fill our pages.

~John Lewis,
Artist/Editor
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