Being a project dedicated to growing Colorado literature, we ask ourselves this question at the Almagre quite a bit. Why build a journal, paper no less, and expect others to read it?
For us, the easy answer is this: pick up a copy of Issue 3, open it, fan the pages, breathe in the spine’s scent. Take it, sit with it, create a silent space. Then…explore the poems within, the stories, the essays, the art. We know that the Authors and Artists in Issue 3 will give any reader their money back many times over…restored in full with ideas, new perspectives, as-yet-learned words, and renewed optimism in the power of imagination.
But that is self-serving. And it’s really about more than our journal. It’s about participation in all that’s going on. Literature promises truth; and that is even when it distorts history, or kneads it, bends it, warps it, or is about hypocrites and thieves and liars; or deals with gouging, skullduggery, banditry, or lowlifes. Literature promises truth, because it triangulates around it, shines a flashlight one way, then another, producing a changing shadow that can provide deeper understanding. The point is, literature begs us to know that any given subject requires curiosity and examination from multiple angles. This curiosity should never end.
We’ve entered an age of alternative facts…and that is a worrying thing. In certain venues, we prefer it one way—facts as facts—a thing which doesn’t build on alternatives but on additions. With literature (fiction and nonfiction), we are faced with an honest proposition: “Here is my side of the story,” or, “Here is a side of the story.” By taking the time to do this, we acknowledge that a gain in understanding is a journey. A matter of course. For those who believe they have reached a destination, we feel pity.
To read is to fend ignorance, acquire knowledge and wisdom, to join the polity as those who would prevent a world of alternative facts. For many of us, it is the way forward.
With Profound Gratitude to all our Readers,
Editor & Artist, John Lewis